I mentioned at the end of my Christmas Gathering post that I would have a post about working with blending filament, which, let's be honest, is like trying to stitch with fairy hair. There are oodles of hints, tips, tricks, etc. out there for making it a less frustrating experience, and I suppose every stitcher has their own preferred method. I thought I would share mine. I used it a lot in Christmas Gathering, but it doesn't show up well in photos. No matter how hard I tried--different lighting, different angles--I couldn't get a good shot of the sparkliness of this piece. So you'll have to trust me that it is super sparkly, which I achieved by using a slightly unconventional approach to blending filament.
First of all, I don't use it as-is: I strip out the sparkly filament from the nylon thread (that's not the unconventional part). You do this the same way you separate strands of floss, by holding one and pulling straight down on the other. I figure it's going to separate anyway while I'm trying to stitch with it--it always does--so why not save the annoyance. Separate it and get it over with.
Second, I don't use it with floss. I know you're "supposed" to combine it with floss and stitch with them together, but I don't, for two reasons: 1) The difference in texture creates the same problem I mentioned above: the filament is going to separate from the floss and do it's own thing and you end up having to fiddle with it constantly to keep it neat. 2) The filament is almost always going to be buried in the thicker, heavier cotton floss, resulting in occasional peeks of sparkle instead of the overall shimmery look you want. It's a lot of annoyance for very little sparkle.
So, I complete the floss stitches first, and then go back and stitch over them with blending filament (this is still not the unconventional part). Here's a little tip for you if you mark a working copy like I do. Use a lighter colored pencil to mark the completed stitches that will need to be overstitched with blending filament. As you add the blending filament, mark those completed stitches again with the darker colored pencil you're using for the rest of the chart. This is an easy way to ensure that you know exactly which stitches need blending filament added, and that you don't miss any.
Third--here's the unconventional part!--when I go back and add the blending filament to my completed stitches, I use a half stitch in the opposite direction of the top leg of the completed stitch.
The top leg of my completed stitches looks like this: \\\\\\\\\\
So I stitch the blending filament like this: //////////
The reason I do this is to prevent the blending filament from slipping down between the threads of the top leg of my completed stitches, which it will do, for the reasons I mentioned above. Stitching in the opposite direction ensures the blending filament lies completely on top of the stitch and catches the most light. I've tried countless times to get a shot that shows this--not with great success, as you can see--but if you click on these pictures to make them a bit bigger, you might just be able to make out the iridescent/pinkish blending filament on top of the white stitches.
So that's how I use "fairy hair". It might be a bit of an odd method, but I find that it works well for me. I don't cringe when I see blending filament show up on a supply list for a project! If you struggle with blending filament, I hope this is helpful to you.